With only a few real diagonals available, viewpoint and perspective can be used to create diagonals.
![]() |
Image 1 |
Here in image 1 I found some real diagonals, unsurprisingly being stairs. There is not one simple diagonal in this shot but 4 with 1 being in a complete opposite direction to the other 3. In this setup I find that the stairs create movement within the image, taking the eye up and around the image as we natural walk our eyes along the stairs from ground up. I converted to B&W to highlight the linear nature of the stairs.
![]() |
Image 2 |
In image 2 I used a natural slope and shadow of a mountain when visiting the Cairngorms. I used a square crop, the horizontal of the horizon and vertical of the post to emphasise the dissecting nature of the diagonal which cuts through the clouds and takes our eye down along the slope. Again this is more of a real diagonal rather than one created by viewpoint or perspective and suggest a feeling of speed as we imagine traveling done the slope. I kept the blues prominent to emphasise the cold and the clearness of the sky.
![]() |
Image 3 |
For image 3 I used perspective and viewpoint to create the the strong diagonals of the straight path that leads to an derelict bowling club in Glasgow's South side. By going down low and centring my position I manage to create 2 strong diagonals that draw the eye in towards the boarded up buildings. The converging lines are very useful to direct the viewer into this picture. The B&W conversion was used to continue the feeling on dilapidation.
![]() |
Image 4 |
Image 4 used perspective to create the strong diagonal. This is a footbridge across the river Clyde and there is a real feeling of movement as the diagonal line of the barrier and shadows takes us across the bridge an into the buildings on the other side. The diagonal of the suspension support also takes us to the same point converging with the lines of barrier.
Concluding, I found diagonals are very useful in creating an image and instrumental in directing the viewer as well as giving the feeling of movement or direction. The fact that they can also be easily created by changing viewpoint or focal length means they are something that should always be in a photographers mind when composing an image.
No comments:
Post a Comment